An extremely rare watch stand with encrusted flowers in Coalbrookdale style, a finely painted river landscape in the watch hole, and a storage compartment at the back.
Pattern 3688
Year: ca 1837
Size: 11cm X 11cm, 9cm tall
(4.25” X 4.25”, 3.5” tall)
Condition: one foot and the top have been repaired; some typical small losses to encrusted flowers
£675
This item is sold "As Found" (A/F) as it has some repairs; this is reflected in the price. The repairs are sympathetic but quite oldfashioned; if desired they can be redone invisibly by our excellent associated restorer at true cost, however this could take a few months.
The Samuel Alcock factory was operative in Staffordshire between 1822 and 1856, after which it was bought by Sir James Duke and Nephews. The factory started as a partnership between the young Samuel Alcock and the older Ralph Stevenson, who provided the factory and capital. Alcock quickly took the factory to great heights, building one of the biggest factories of its time. Alcock jumped on the new Rococo Revival fashion and served a huge new middle class market. The reason we now don't hear much about Samuel Alcock porcelain is that much of it has been mis-identified over the years and attributed to Coalport, Ridgway, Rockingham or others; Alcock did not mark any of his porcelain save a few rare pieces, and the numbering system is difficult to understand. However, the wares are still wide spread and many are of great quality.
Provenance: the Murray Pollinger Collection
Please note that this item can only be shipped in late June 2023.
Samuel Alcock watch stand, Coalbrookdale style with landscape, ca 1837 A/F
PLEASE NOTE THAT CURRENTLY THERE ARE SHIPPING DELAYS DUE TO THE PANDEMIC, THE TIME OF YEAR AND BREXIT. WE WILL GET YOUR ITEM SAFELY TO YOU BUT IT MIGHT TAKE MORE TIME THAN USUAL!
Your item will be shipped after receipt of funds, unless agreed otherwise in writing.
We will ship your items within a maximum of 2 working days after payment (usually quicker). We cannot be held responsible for delivery times once the item has been shipped as this is at the shipper's discretion and, in case of international delivery, can be subject to customs delays, weather, holidays and/or political instability.
If your delivery failed to appear or was damaged in transit, please let us know as soon as possible and, in case of damage, provide us with pictures of the damaged item and/or packaging. Cut off dates for this are 14 days after shipping, or 2 days after a damaged delivery. We will need to comply with shippers' regulations in order to follow up the issue, but it is vital that you let us know what is wrong as soon as possible. We will do anything we can to follow up faulty deliveries but cannot be held responsible if we have not been notified within the required time period.
We always aim to have happy customers so if you have an issue with or questions about your item, please contact us and we will do anything we can to resolve the issue with you!
Cancellations can only be accepted before the item has been shipped. Once an item has been shipped, the transaction cannot be cancelled anymore.
Returns need to be requested within 2 days of receipt of the item and completed within 14 days from the date they have been agreed in writing.
If you want to return an item because you changed your mind, you will be responsible for the return shipping. For international deliveries, this will need to be a fully tracked shipping mode. The item is expected to be received back in the same state it was sent - any damage due to insufficient packaging will be your responsibility. We will only pay for return shipping if we have mutually agreed that the item did not satisfy your expectations. A refund will be made immediately after receipt of the item.
We always aim to have happy customers so if you have an issue with or questions about your item, please contact us and we will do anything we can to resolve the issue with you!
A WORD ABOUT THE QUALITY OF ANTIQUE PORCELAIN
Antique British porcelain is never perfect. Kilns were fired on coal in the 1800s, and this meant that china from that period can have some firing specks from flying particles. British makers were also known for their experimentation, and sometimes this resulted in technically imperfect results. Due to the shrinkage in the kiln, items can have small firing lines or develop crazing over time, which should not be seen as damage but as an imperfection of the maker's recipes, probably unknown at the time of making. Items have often been used for many years and can have normal signs of wear, and gilt can have signs of slight disintegration even if never handled. I will reflect any damage, repairs, obvious stress marks, crazing or heavy wear in the item description but some minor scratches, nicks, stains and gilt disintegration can be normal for vintage items and need to be taken into account.
There is widespread confusion on the internet about the difference between chips and nicks, or hairlines and cracks. I will reflect any damage as truthfully as I can, i.e. a nick is a tiny bit of damage smaller than 1mm and a chip is something you can easily see with the eye; a glazing line is a break in the glazing only; hairline is extremely tight and/or superficial and not picked up by the finger; and a crack is obvious both to the eye and the finger. Etcetera - I try to be as accurate as I can and please feel free to ask questions or request more detailed pictures.
