This is a stunning plate made by Minton in 1857. The plate is beautifully moulded in the Newcastle Embossed shape, the moulding picked out and turquoise and gilt, and hand painted with flowers by Joseph Bancroft. This plate belonged to a large dessert service.
We have the original service available as a setting for eight, as well as various other dishes and plates, please see separate listings.
Minton was one of the pioneers of English china production alongside other great potters such as Spode, Davenport, Ridgway, Coalport and others. They were located in Staffordshire and were known specifically for their wonderfully fine white bone china and top quality designs. Between 1798 and 1816 they made very fine porcelain with wonderful neoclassical designs. After a break during an economic crisis, they started their second period in 1824, creating Rococo Revival designs such as this popular "Newcastle embossed" shape.
This plate is potted in the very fine bright white porcelain that Minton was so famous for. This shape is called the Newcastle Embossed shape; Minton called many of their shapes after European cities. This shape has beautiful moulded lattice shapes around each item and flower reserves enclosed by moulded scrolls. All the embossed surfaces are picked out in fresh turquoise and lavish gilding. The plate is with delicate flowers by the famous painter Joseph Bancroft.
Bancroft had started his career as a porcelain painter at the famous Derby factory, then worked in the London decoration studios for a while, and finally settled in Staffordshire where he became one of Minton's prime flower painters in 1831. He worked there until at least 1858, when he was well into his sixties. Bancroft's flowers are recognisable as closely bunched, delicate and meticulous.
The plate is not marked, which is not unusual for this era, but it bears the pattern number 4009, as well as the impressed year cipher for the year 1857. An image of a nearly identical service by Joseph Bancroft can be found in plate 41 of Geoffrey Godden's "Minton Pottery & Porcelain of the First Period 1793-1850".
CONDITION REPORT The plate is in perfect antique condition without any damage, repairs or crazing or even any significant wear.
Antique British porcelain is never perfect. Kilns were fired on coal in the 1800s, and this meant that china from that period can have some firing specks from flying particles. British makers were also known for their experimentation, and sometimes this resulted in technically imperfect results. Due to the shrinkage in the kiln, items can have small firing lines or develop crazing over time, which should not be seen as damage but as an imperfection of the maker's recipes, probably unknown at the time of making. Items have often been used for many years and can have normal signs of wear, and gilt can have signs of slight disintegration even if never handled. I will reflect any damage, repairs, obvious stress marks, crazing or heavy wear in the item description but some minor scratches, nicks, stains and gilt disintegration can be normal for vintage items and need to be taken into account.
There is widespread confusion on the internet about the difference between chips and nicks, or hairlines and cracks. I will reflect any damage as truthfully as I can, i.e. a nick is a tiny bit of damage smaller than 1mm and a chip is something you can easily see with the eye; a glazing line is a break in the glazing only; hairline is extremely tight and/or superficial and not picked up by the finger; and a crack is obvious both to the eye and the finger. Etcetera - I try to be as accurate as I can and please feel free to ask questions or request more detailed pictures!
DIMENSIONS 24cm (9.5").
Minton plate, Newcastle embossed, flowers J. Bancroft, 1857 (2)
PLEASE NOTE THAT THESE DAYS THERE CAN SOMETIMES BE SHIPPING DELAYS DUE TO THE TIME OF YEAR, BREXIT OR OTHER CUSTOMS ISSUES, POLITICAL INSTABILITY OR INCLEMENT WEATHER. WE WILL GET YOUR ITEM SAFELY TO YOU BUT IT MIGHT TAKE MORE TIME THAN USUAL!
Your item will be shipped after receipt of funds, unless agreed otherwise in writing.
We will ship your items within a maximum of 2 working days after payment (usually quicker). We cannot be held responsible for delivery times once the item has been shipped as this is at the shipper's discretion and, in case of international delivery, can be subject to customs delays, weather, holidays and/or political instability.
If your delivery failed to appear or was damaged in transit, please let us know as soon as possible and, in case of damage, provide us with pictures of the damaged item and/or packaging. Cut off dates for this are 14 days after shipping, or 2 days after a damaged delivery. We will need to comply with shippers' regulations in order to follow up the issue, but it is vital that you let us know what is wrong as soon as possible. We will do anything we can to follow up faulty deliveries but cannot be held responsible if we have not been notified within the required time period.
We always aim to have happy customers so if you have an issue with or questions about your item, please contact us and we will do anything we can to resolve the issue with you!
Cancellations can only be accepted before the item has been shipped. Once an item has been shipped, the transaction cannot be cancelled anymore.
Returns need to be requested within 2 days of receipt of the item and completed within 14 days from the date they have been agreed in writing.
If you want to return an item because you changed your mind, you will be responsible for the return shipping. For international deliveries, this will need to be a fully tracked shipping mode. The item is expected to be received back in the same state it was sent - any damage due to insufficient packaging will be your responsibility. We will only pay for return shipping if we have mutually agreed that the item did not satisfy your expectations. A refund will be made immediately after receipt of the item.
We always aim to have happy customers so if you have an issue with or questions about your item, please contact us and we will do anything we can to resolve the issue with you!
A WORD ABOUT THE QUALITY OF ANTIQUE PORCELAIN
Antique British porcelain is never perfect. Kilns were fired on coal in the 1800s, and this meant that china from that period can have some firing specks from flying particles. British makers were also known for their experimentation, and sometimes this resulted in technically imperfect results. Due to the shrinkage in the kiln, items can have small firing lines or develop crazing over time, which should not be seen as damage but as an imperfection of the maker's recipes, probably unknown at the time of making. Items have often been used for many years and can have normal signs of wear, and gilt can have signs of slight disintegration even if never handled. I will reflect any damage, repairs, obvious stress marks, crazing or heavy wear in the item description but some minor scratches, nicks, stains and gilt disintegration can be normal for vintage items and need to be taken into account.
There is widespread confusion on the internet about the difference between chips and nicks, or hairlines and cracks. I will reflect any damage as truthfully as I can, i.e. a nick is a tiny bit of damage smaller than 1mm and a chip is something you can easily see with the eye; a glazing line is a break in the glazing only; hairline is extremely tight and/or superficial and not picked up by the finger; and a crack is obvious both to the eye and the finger. Etcetera - I try to be as accurate as I can and please feel free to ask questions or request more detailed pictures.
